![]() ![]() This helps stop me getting distracted by the colours. This way, I concentrate more on the shapes and composition as well as the lightness values of the image. I use this technique a lot on my Sony A7R. Many mirrorless cameras let you change your display settings so the display presents in black and white. Quick tip 1: Try to pre-visualise your black and white image at the creating stage. Some tips to achieving black and white Zen Using black and white to lighten and darken when you convert colour to black and white Add a black and white adjustment layer – in here you can lighten and darken the various colours to achieve a spectacular black and white image. ![]() In Photoshop or Affinity Photo go to your layers panel and at the bottom find the adjustment layers button. We are doing the same thing, but with digital we can lighten or darken any colour in the image during conversion. One of the greatest traditional landscape photographers, Ansel Adams, used yellow, orange and red filters on his camera to achieve the spectacular images of Yosemite and some of his skies are almost black in the print.Ī different technique with film is to use a polarizing filter to darken down the sky. This was usually used on landscapes to make the sky go dark and dramatic whilst keeping the clouds white. This absorbed blue light so when the image was exposed, less light from the blue areas got to the film, resulting in a darker blue. One of the most common filters was an orange filter. So photographers used varying colour filters to lighten or darken parts of the image they were exposing. Traditional film (silver halide) is sensitive to light. Here is some more geeky stuff to explain it. This is so we can maybe brighten up that beautiful red sunset cloud whilst at the same time darkening down the blue sky.īut this black and white voodoo never happened in traditional photography I hear you sayĪh, but it did. But we also need to be able to adjust the lightness values of the separate colours individually. So, to convert from colour to black and white, what we want to do is to remove the colour. Hue, Saturation and Luminance (or Lightness) It is usually referred to as HSL in software adjustments. This can be easily seen in a lot of colour pickers.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |